New releases from NYRB Classics: now in its first English translation, Journey into the Past by the great Austrian writer Stefan Zweig; a masterpiece of historical fiction, Yasushi Inoue’s Tun-huang; and a darkly comedic novel, After Claude, by Iris Owens. For a limited-time, each of the three November titles is available at 25% off.

 

Tun-huang

By Yasushi Inoue
Prefaces by the author and Damion Searls
Translated by Jean Oda Moy

 

A magical and vivid adventure story set among the bandits, scholars, and monks of the fabled Silk Road. All seems lost when Chao Hsing-te sleeps through the exams that are to launch his career. But then a beautiful woman hands him a scrap of paper, written in a mysterious language. When he follows her into the desert, everything changes for him.

 

“Re-reading Yasushi Inoue’s novel, Tun-huang, I once again delight in the fact that the author wrote the entire story without ever having set foot in Western China. At that time, of course, no Japanese or European scholars were allowed to travel to the area. And, yet, Tun-huang remains to my mind the most vivid account of the silk road oasis city ever published.” —Leanne Ogasawara, TangDynastyTimes.com

 

Read Yasushi Inoue’s Preface

 

 

After Claude

By Iris Owens
Introduction by Emily Prager

 

 

Funny and foulmouthed, Harriet tears around Greenwich Village insulting friend and foe alike. But when “the French rat” boyfriend Claude leaves her (or did she leave Claude?), Harriet is adrift. Girlfriends give advice but Harriet only takes offense, and it’s easy to understand why. Because mad and maddening as she may be, Harriet sees past the polite platitudes that everyone else is content to spout and live by. She is a bitingly funny prophetess of all that is wrong with women’s lives and hearts—until, in a surprise twist, she finds a savior in a dark room at the Chelsea Hotel.

 

“Spikey with mockery, carbon steel wit and mature observation.” —The Village Voice

 

Read Emily Prager’s Introduction

 

Journey into the Past

By Stefan Zweig
Introduction by André Aciman
A new translation by Anthea Bell

 

 

Investigating the strange ways in which love, in spite of everything—time, war, betrayal—can last, Zweig tells the story of Ludwig, an ambitious young man from a modest background who falls in love with the wife of his rich employer. The couple vow to live together, but Ludwig is dispatched on business to Mexico. While he is there the First World War breaks out and Ludwig is unable to return to Europe. Years later he does go back to Germany to find his beloved a widow and their mutual attraction as strong as ever. But is it possible for love to survive precisely as the impossible?

 

“Journey into the Past is vintage Stefan Zweig—lucid, tender, powerful and compelling.”
—Chris Schuler, The Independent

 

Read Anthea Bell’s Afterword

Just released from The New York Review Children’s Collection is Supposing by Alastair Reid, with brand new illustrations by Bob Gill. Supposing is available at a limited-time 25% discount. Or purchase it with Alastair Reid’s Ounce Dice Trice, and get 40% off their combined retail prices.

Supposing…

By Alastair Reid
Illustrated by Bob Gill

When you were a child, with a mind made for musing, what destiny would you pick, if you had your own choosing?

It would be a potent dose of some seriously silly prose, with pages full of all the wonder and plunder a creative mind could construe—a book that when you opened it up, turned out to be all about you.

The New York Review Children’s Collection is thrilled to publish Supposing, a follow-up to Alastair Reid’s Ounce Dice Trice, about which Daniel Pinkwater said on NPR’s Weekend Edition: “I want every children’s book editor and also every primary and middle school teacher and librarian in America to read this book. It is the antidote to plotting, plot-driven, two-line synopsizable, anti-imagination books….[Ounce Dice Trice] can be read cover to cover, back to front, middle to end, upside down, any way you like.”

Now with new illustrations by Bob Gill, Supposing is a modern classic that is perfect for children who have a truly imaginative take on the places they could possibly, potentially, go.

“A 1960 text from Reid is paired to all-new illustrations from Gill that realize one child’s beguiling hypotheses…. The sophisticated minimalism of the illustrations at their best work with the text to prompt wild flights of fancy…. As fascination with cause and effect is a classic phase of childhood, this book would seem to have a natural place in both bedrooms and classrooms…. the concept will beguile them.” —Kirkus Reviews

“There’s an understated but fitting whimsy in Gill’s artwork.” —Publishers Weekly

NYRB presents
A Month of Writers on Writers
at Barnes & Noble
150 East 86th Street, Upper East Side

Monday, November 1st at 7PM
The author of Sex and the City, Candace Bushnell, and arts critic Terry Teachout discuss two cult dark comedic classics, The Dud Avocado and The Old Man and Me, by Elaine Dundy.

Monday, November 15th at 7PM
Author Luc Sante and National Book Award-winner Norman Rush discuss the dark psychological novels of Georges Simenon, one of the greatest and most prolific writers of the 20th-century.

Monday, November 22nd at 7PM
Literary critic Morris Dickstein and author and poet Honor Moore discuss the writer John Williams and his 1965 novel Stoner, which Dickstein has called “a perfect novel, so well told and beautifully written, so deeply moving that it takes your breath away.”

Monday, November 29th at 7PM
Author André Aciman and journalist Joan Acocella discuss the mid-century Austrian novelist Stefan Zweig and, in particular, his recently discovered and just published novella, Journey Into the Past.

New York Review Books

I was a child backyard cook. I made salads of dandelion heads or clover leaves and even baked up a mud pie or two. But truth be told, I wasn’t very inventive. Like an overworked parent serving macaroni and cheese night after night, I tended to fall back on a few favorite dishes that required little thought. Is it any wonder that my dolls, and eventually even the tiniest neighborhood ants, turned down my invitations to dine?

If only Marjorie Winslow’s Mud Pies and Other Recipes had been in print in those days! Maybe then I’d have ended up like Sara Moulton—a former editor at Gourmet with several cooking shows to her credit. Her grandmother gave her Mud Pies when she was a girl, and she’s cited it as an inspiration: “even though it was a pretend cookbook, it somehow persuaded me that real cooking must be fun.”

Like any good cookbook, Mud Pies presents you with a range of recipes: some so simple you wonder why you hadn’t thought them up yourself—”Mud Pies à la Mud”—of course!; a few that are nothing short of inspired, see “Dandelion Soufflé,” which directs you to place a pile of fluffy dandelion seeds on a plate “located in a light breeze” noting, “You will never have leftovers with this dish.”; and several that are perhaps more aspirational than practical, like “Putty Fours”—acorn shells stuffed with putty, which “may take days to harden.”

But Mud Pies recognizes that most of its audience will be beginning cooks, and tells us reassuringly, “If a recipe calls for a cupful of something, you can use a measuring cup or a teacup or a buttercup. It doesn’t much matter. What does matter is that you select the best ingredients available, set a fine table, and serve with style.”

Mud Pies and Other Recipes was first published in 1961, but Marjorie Winslow was ahead of her time. Even before the days of conscientious reducing and recycling, she reminded us that “cooking utensils should, whenever possible, be made from something that would otherwise be thrown away.” What’s more, though the children pictured in Erik Blegvad’s fine drawings, in their peter-pan collars and sweater-vests, would look at home on the set of Mad Men, there are nearly as many little boys as little girls “frying” up water and serving the results to a bevy of toy soldiers, teddy bears, and baby dolls. Winslow’s table was an inclusive one. Pick up Mud Pies and Other Recipes for yourself, give it to a girl or boy, and prepare to get your hands dirty.

Sara Kramer,
Managing Editor

Read the foreword to Mud Pies and Other Recipes (pdf)

The World As I Found It

By Bruce Duffy
Introduction by David Leavitt

Irreverently trespassing on the turf of history, biography, and philosophy, The World As I Found It re-imagines the lives of three very different men, the philosophers Bertrand Russell, G. E. Moore, and Ludwig Wittgenstein.

At the center of the book is Wittgenstein, one of the most magnetic philosophers of our time: brilliant, tortured, mercurial, and forging his own solitary path. Playing in counterpoint are his two reluctant mentors: Bertrand Russell, past his philosophical prime yet eager to break new ground as a public intellectual, educational theorist, and sexual adventurer; and G. E. Moore, the great Cambridge don who was devoted to the pleasures of the table and pure thought, until, late in life, he discovered real fulfillment in marriage and fatherhood.

Bruce Duffy’s novel depicts times and places as various as Vienna 1900, the trenches of World War I, Bloomsbury, and the colleges of Cambridge, while the complicated main characters appear not only in thought and dispute but in love and despair.

“By turns wicked, melancholy, and rhapsodic, The World As I Found It is an astonishing performance, a kind of intellectual opera in which each abstraction gets its own artist.”
—John Leonard, Newsday

The Outward Room

By Millen Brand
Afterword by Peter Cameron

The Outward Room is a spare, deft novel that traces one woman’s path from mental illness to trust, recovery and love.

Harriet Demuth, having suffered a nervous breakdown after her brother’s accidental death, has been committed to a mental hospital. Convinced that only she and she alone can refashion her life, Harriet escapes from the hospital, hopping a train by night and riding the rails to New York City. It’s the 1930s, the midst of the Great Depression, and initially Harriet is lost among the city’s multitudes. She runs out of money and is living an increasingly hard existence when she meets John, a machine-shop worker. Slowly she begins to recover her sense of self and Harriet and John fall in love. The story of that love, told with the lyricism of Virginia Woolf and the realism of Theodore Dreiser, is at the heart of Millen Brand’s remarkable novel.

“As devoid of sentimentality as a blizzard, and yet a great love story—a real love story.” —Sinclair Lewis

The Road: Stories, Journalism, and Essays

By Vasily Grossman
Edited by Robert Chandler
A new translation by Robert and Elizabeth Chandler
with Olga Mukovnikova

The Road brings together short stories, journalism, essays, and letters by Vasily Grossman, providing new insight into the life and work of this extraordinary writer. The stories range from Grossman’s first success, “In the Town of Berdichev,” a piercing reckoning with the cost of war, to such haunting later works as “Mama,” based on the life of a girl who was adopted at the height of the Great Terror by the head of the NKVD and packed off to an orphanage after her father’s downfall. The Road also includes the complete text of Grossman’s harrowing report from Treblinka; “The Sistine Madonna,” a reflection on art and atrocity; as well as two heartbreaking letters that Grossman wrote to his mother after her death at the hands of the Nazis and carried with him for the rest of his life.

"Grossman’s unsparing, literary account of the horrific ways Nazi Germany implemented its ethnic-cleansing program at Treblinka was one of the first reports of a death camp anywhere in Europe and eventually provided prosecutors at the Nuremberg War Crimes Tribunal with crucial background information. The surprise is that up until now an English-language translation of Grossman’s lengthy article has never been published in its entirety. That will soon change with the publication of The Road, a collection of some of Grossman’s best short stories and war-time articles, including ‘The Hell of Treblinka.’” —Tobias Grey, The Wall Street Journal

Poison Penmanship
The Gentle Art of Muckraking

By Jessica Mitford
Preface by Jane Smiley

Jessica Mitford’s diligence, unfailing skepticism, and acid pen made her one of the great chroniclers of the mischief people make in the pursuit of profit and the name of good. Poison Penmanship collects seventeen of Mitford’s finest pieces and fills them out with the story of how she got the scoop and, no less fascinating, how the story developed after publication.

"For my part, I can’t remember when I enjoyed a collection of journalism so much, or laughed out loud so often. Spirited, extremely witty and sharp and, perhaps most importantly, driven by a powerful sense of social justice, Mitford was, quite simply, one of the most useful journalists of the 20th century. That she could also make you laugh while exposing the shenanigans of the corrupt, or, as she preferred to call it, muckraking, makes this book indispensable….It is also useful as, and intended to be useful as, a manual for doing the kind of journalism she did. She is very interested in inspiring people to continue the tradition of muckraking, and just because the technology of journalism has changed, it doesn’t mean that techniques of getting interviewees to spill beans they would otherwise have preferred unspilled have changed, too. So as well as comments, or post-mortems, on every piece here, there is also an entertaining and helpful introduction in which she goes through the basics of her trade….And you can learn so much from her style, too. Never mind if you haven’t read any of her more substantial works; here, in essence, is her achievement.” —Nicholas Lezard, The Guardian

Life and Fate
By Vasily Grossman
Introduced and translated by Robert Chandler

“#1 on Antony Beevor’s ‘Five Best of World War II Fiction’ list”
—The Wall Street Journal

“A war correspondent for the Red Army’s Krasnaya Zvezda newspaper, a witness to the battle of Stalingrad and the first journalist to give an account of the Nazi extermination camps (after visiting Treblinka), Vasily Grossman was ideally placed to write arguably the greatest novel inspired by the second world war….Life and Fate sprawls across more than 850 pages and succeeds in portraying a remarkably broad cross-section of life in Stalin’s Soviet Union.”
— Phil Mongredien, The Observer (UK)

Everything Flows
By Vasily Grossman
Introduced by Robert Chandler
Translated by Robert and Elizabeth Chandler with Anna Aslanyan

“Understandably bitter over the suppression of his [Life and Fate] the author worked on Everything Flows—a shorter, but even more eviscerating, meditation on the monstrous results of the Soviet experiment—until his death from cancer in 1964. This new translation brings his searing vision to light….Fortunately, the KGB couldn’t keep Grossman’s books under wraps forever. His testament stands as a fitting tribute to the millions of voices that were prematurely silenced.”
—Drew Toal, Time Out New York

Hons and Rebels
By Jessica Mitford
Introduction by Christopher Hitchens

“Stunning. Reads like extravagantly mannered fiction, except that it is all fabulously true…Miss Mitford is at once touching and wildly funny, and there is not one of her highly coloured characters that is not violently alive and uncomfortably kicking.”
—Tatler (UK)

“More than an extremely amusing autobiography…she has evoked a whole generation. Her book is full of the music of time.”
—Sunday Times (UK)

Andrew Roberts chose two NYRB Classics for his Five Best of “World War II First Hand Accounts” list in Saturday’s The Wall Street Journal. Both Kaputt by Curzio Malaparte and Life and Fate by Vasily Grossman are on the list.

On Kaputt, Roberts wrote “The Italian journalist Curzio Malaparte was sent to Russia by the newspaper Corriere della Sera to cover Hitler’s glorious victory over the Bolsheviks, but instead he witnessed the drawn-out Nazi defeat on the Eastern Front. He recorded what he had seen in an autobiographical novel, ‘Kaputt,’ which he had to keep hidden until after the war.” First published in the US in 1946, Kaputt was released by NYRB Classics in 2005.

On Life and Fate, “Taking extensive notes throughout the war, Grossman—a Jew who felt deeply betrayed by the Bolsheviks’ growing anti-Semitism— incorporated the stories into his monumental autobiographical novel, Life and Fate, which has been likened to War and Peace in its scope and ambition.” Confiscated by the KGB, Life and Fate was not published in the US until 1980 and joined the NYRB Classics series in 2006. Life and Fate is one of the series’ bestselling titles.

To read more about Andrew Roberts’ book picks, click here.