One of the truly original writers of 20th-century Los Angeles.
—Kevin Dettmar, The Atlantic
Reading Eve Babitz is like being out on the warm open road at sundown, with what she called, in another book, '4/60 air conditioning' — that is, going 60 miles per hour with all four windows down. You can feel the wind in your hair.
—Dwight Garner, The New York Times
Babitz's style is cool, conversational, loose, yet weighted with a seemingly effortless poetry. Unlike her contemporary, Joan Didion, Babits isn't staring into the abyss and reporting back; but she does want to tell you how good the light is out by the abyss.
—Andrew Male, The Guardian
What we now call a ‘fictive memoir’ comes in the form of ten extended anecdotes about Los Angeles, delivered with all the gossipy sprezzatura of the most desirable dinner guest. Food, drink, drugs, sex, sunsets and a surfeit of move stars soak these tales with colour, while the most colourful component of all is our narrator herself.
—Hermione Hoby, TLS
Her writing took multiple forms. . . . But in the center was always Babitz and her sensibility—fun and hot and smart, a Henry James–loving party girl.
—Naomi Fry, New Republic
Babitz takes to the page lightly, slipping sharp observations into roving, conversational essays and perfecting a kind of glamorous shrug.
—Kaitlin Phillips, Bookforum
[Babitz] achieved that American ideal: art that stays loose, maintains its cool, is purely enjoyable enough to be mistaken for simple entertainment. It’s a tradition that includes Duke Ellington, Fred Astaire, Preston Sturges, Ed Ruscha, and, it goes without saying, Marilyn Monroe.
—Lili Anolik, Vanity Fair
Undeniably the work of a native, in love with her place. This quality of the intrinsic and the indigenous is precisely what has been missing from almost all the fiction about Hollywood...the accuracy and feeling with which she delineates LA is a fresh quality in California writing.
—Larry McMurtry, The Washington Post
Imagine the incisive wit of Virginia Woolf mingling with the listlessness of Françoise Sagan—this is the work of Eve Babitz, an ingenue and poet. Her lyrical sensuality is both sexy and cerebral…this book sizzles with hedonistic abandon, sex, drugs, and rock’n’roll…it is the clarity of her language and her painterly style that cement her place in the pantheon of American literature.
—Sarah Nasar, bookseller at Atlantis Books (Santorini), British Airways High Life Magazine
Eve Babitz was Los Angeles' greatest bard. Promiscuous but discerning, the bombshell with a brain bonded with Joan Didion and bedded Jim Morrison… Babitz is finally getting the literary comeback she deserves.
—Lili Loofbourow, The Week
[The] radiantly specific Slow Days, Fast Company...might serve to explicate LA better than any other book I’ve ever read... Like her generational and aesthetic peer Renata Adler, Babitz has a nervous, windblown eye, a knack for perceptual and associative leaps. Like her West Coast fellow Joan Didion, she has a stringent–in fact, rather stark–intelligence...Babitz’s perceptions, her aphoristic formulations, are legion and strike me as both startling and profound.
—Matthew Specktor, Tin House blog
Babitz’s sentences—fluffy, golden, and spunky—which appear flippant…but like Marilyn Monroe infusing the ditz with closeted intellectualism, Babitz has a genius for revealing the depths of ostensibly shallow waters.
—Monica McClure, The Culture Trip
Her dishy, evocative style has never been characterized as Joan Didion-deep but it's inarguably more fun and inviting, providing equally sharp insights on the mood and meaning of Southern California.
—Laura Pearson, Chicago Tribune
In these ten cajoling tales, Los Angeles is the patient, the heroine, hero, victim, and aggressor: the tales a marvel of free-form madness. Like Renata Adler, Eve Babitz has fact, never telling too much.
—Vogue
Babitz’ collection of essays, Slow Days, Fast Company, the best non-fiction written about the Joys of Sensuous LA, I have always thought right up there with Joan Didion’s Slouching Towards Bethlehem.
—Lee Grove, The Boston Globe
One of my favorite books about Los Angeles is Eve Babitz’s witty collection of essays Slow Days, Fast Company. The first time I read it, a few years ago, while living in L.A., I was struck by how a book published in 1977 — telling bold and sharply observed stories of L.A.’s bohemian artist class — could still ring true so many years later.
—Soumya Karlamangla, The New York Times
The Hive represents contiguous cell structures that seldom overlap. Six chapters subdivide into hundreds of brief sequences that honeycomb like tunnels through a subway . . . Madrid is just one colony in an apiary of complex social structures called Spain; and the universe, which may or may not have a hive-mind of its own, is a macrocosm of which Spain is but an infinitesimal part.
—Kevin Anthony Brown, New English Review
