• Allegria
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Archipelago Books

Allegria

Allegria

by Giuseppe Ungaretti, translated from the Italian by Geoffrey Brock

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Famed for his brevity, Giuseppe Ungaretti's early poems swing nimbly from the coarse matter of tram wires, alleyways, quails in bushes, and hotel landladies to the mystic shiver of pure abstraction. These are the kinds of poems that, through their numinous clarity and shifting intimations, can make a poetry-lover of the most stone-faced non-believer. Ungaretti won multiple prizes for his poetry, including the 1970 Neustadt International Prize for Literature. He was a major proponent of the Hermetic style, which proposed a poetry in which the sounds of words were of equal import to their meanings. This auditory awareness echoes through Brock’s hair-raising translations, where a man holding vigil with his dead, open-mouthed comrade, says, “I have never felt / so fastened / to life.”

Additional Book Information

Series: Archipelago Books
ISBN: 9781939810649
Pages: 204
Publication Date:

Praise

What a joy to have this new translation of Ungaretti, a great lyric poet so masterly translated by Geoffrey Brock. I will buy any book of poetry that Brock has translated. He is simply that good. But it is especially clear here, in the pages of Allegria, where the shortish lines test the translator’s ability to deliver nuance with light touch, precision, and almost Mozartian grace. The poems themselves praise the fleeting moment in the middle of crisis, praise the spark of tenderness in the time of misfortune, praise the breadcrumbs of rememberings in the hungriest of times, when no one remembers and everyone zigzags around the room, around the street, around one’s heart. This book will give you ‘a momentary stay against confusion.’ It is a beautiful gift.
—Ilya Kaminsky, author of Deaf Republic and Dancing in Odessa

One of the most authentic poets of Western Europe.
—T.S. Eliot

. . . These poems burn like sparks of emotion, flashes of understanding, splinters of insight. However, despite their diaristic form, intensified by the horrors of war in the trenches, there is nothing fragmentary or unfinished about them; on the contrary, they aim to represent the totality of experience in the infinite and fathomless details of its unfolding . . .
—Graziano Krätli, World Literature Today

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