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Butterfly of Dinard

Butterfly of Dinard

by Eugenio Montale, translated from the Italian by Oonagh Stransky and Marla Moffa, introduction by Jonathan Galassi

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Format

The May 2024 selection of the NYRB Classics Book Club

The great poet Eugenio Montale was also a remarkable writer of prose whose stories appeared regularly in the Italian newspaper Corriere della SeraButterfly of Dinard is a collection of fifty of those stories, pieces about “silly and trivial things which are at the same time important,” whose sprightliness, subtle irony, and conversational ease defy the limits of traditional fiction. Taken together, they form a sort of autobiographical novel, evoking people, objects, and animals dear to the poet, while simultaneously shedding light on the social, cultural, and political events of the day. The book begins with Montale’s childhood in Liguria and goes on to explore his adult life in pre-Fascist Florence and the onset of Fascism. The last part of the book, focusing on his final years in Milan, forms what Jonathan Galassi in his introduction calls “a mosaic self-portrait of the writer himself, a bumbling yet proud, memory-obsessed Chaplinesque antihero, who sees himself as the only surviving, if unwilling, witness to a disappearing world.”

The stories were first published in book form in 1956; Montale added further stories to subsequent editions, culminating in the final 1973 edition. Butterfly of Dinard is the first complete translation of this edition and includes five stories never before translated into English.

Additional Book Information

Series: NYRB Classics
ISBN: 9781681378169
Pages: 232
Publication Date:

Praise

Butterfly of Dinard is a charming collection of memories pinned down and displayed with care and gentle affection.
—Michael Glitz, Parade, ‘25 Best New Book Releases’

Bradley’s translation coveys Montale’s wistfulness, longing and imagination…. The collection shows the workings of the poet’s mind and perhaps his method.
—John Skoyles, On the Seawall

The eccentrics, charmers and ne’er-do-wells that populate its pages are portrayed in consistently delightful, funny amuse-bouches which recall that other great Italian voice Italo Calvino…. Butterfly of Dinard has empathy … irony and joy amidst the darkness of its time.
—John Self, The Critic

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