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Perfection

Perfection

by Vincenzo Latronico, translated from the Italian by Sophie Hughes

$15.95
$15.95
Available as E-Book Italian Literature
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Millennial expat couple Anna and Tom are living the dream in Berlin, in a bright, plant-filled apartment in Neukölln. They are young digital creatives, freelancers without too many constraints. They have a passion for food, progressive politics, sexual experimentation, and Berlin’s twenty-four-hour party scene. Their ideal existence is also that of an entire generation, lived out on Instagram, but outside the images they create for themselves, dissatisfaction and ennui burgeon. Their work as graphic designers becomes repetitive. Friends move back home, have children, grow up. An attempt at political activism during the refugee crisis proves fruitless. And in that picture-perfect life Anna and Tom feel increasingly trapped, yearning for an authenticity and a sense of purpose that seem perennially just out of their grasp. With the stylistic mastery of Georges Perec and nihilism of Michel Houellebecq, Perfection, Vincenzo Latronico’s first book to be translated into English, is a brilliantly scathing sociological novel about the emptiness of contemporary existence, beautifully written, impossibly bleak.

Additional Book Information

Series: New York Review Books
ISBN: 9781681378725
Pages: 136
Publication Date:

Praise

Vincenzo Latronico is a writer who sees clearly and conveys it beautifully. In Perfection, he paints a stark picture of the conditions that have created a generation’s 'identical struggle for a different life': globalization, homogenization, the internet. Though on one level the novel is (pitch-perfectly) 'about' Berlin and the 'creative professional' expatriates who have sought a different life in, and inevitably colonized, the city, the story of Anna and Tom will be uncomfortably familiar to anyone who has tried to resist the flattening effects of whatever life is now. I can't recommend it highly enough.
— Lauren Oyler, author of Fake Accounts

One of Europe’s most talented young writers, Latronico has written the great Berlin novel we’ve all been waiting for.
—Gideon Lewis-Kraus, New Yorker staff journalist

An important novel, innovative in its own way.
—Claudia Durastanti, author of Strangers I Know

This book gives startling form to the question of how to live a meaningful life; to the illusion that appearance is beauty; to the restlessness of contemporary society. I read it in a breath and I was captivated.
— Ayşegül Savaş

Perfection is a jewel of a novel: precisely cut, intricately faceted, prismatically dazzling at its heart. Vicenzo Latronico is the finest of writers.
— Lauren Groff

Perfection is a generation-defining piece of literature, one that spares us nothing. To read it is to look in a mirror and finally, for the first time, truly see yourself and the culture you’ve helped create: the one that lurks behind the filters, algorithms and curated ephemera of selfhood that make up our public lives. Read it and tremble.
— Madeleine Watts

The world of this horrifying novel has been built piece by perfect piece – honey-colored floorboards, a monstera’s perforate leaves, glossy white tiles, a breakfast of assorted seeds, a game of Carcassonne – the method of its construction likewise perfect, a perfection of prose that ends by releasing, miraculously, the very thing perfection is made to prohibit, the heavy stink of mortality.
— Kathryn Davis

I recognize Anna and Tom in Vincenzo Latronico’s Perfection because I am them. Never has a novel so incisively captured what it feels like to participate in the globalized culture of the Internet era: to consume it; to be overwhelmed by it; to try, futilely, to make it. The repeating symbols of homogenized good taste – potted house plants, reclaimed-wood furniture, post-industrial clubs – haunt the characters as their own poignant hopes to be original. I felt attacked, as they say online. Perfection is satire in the way that adult life itself is a comedy. By its end, the novel will cure you of any dream for authenticity.
— Kyle Chayka

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